Manager: Ian Alexander Martin (although he does everything short of write the books and create the covers, so "Manager" seems a tad limiting).
Date Est.: May 2009
Submissions: I've got more than enough right now...let's say "not accepting" and be safe.
Genre: ...is "yes" an acceptable answer? Anything with a touch of humour and a bit of uniqueness, really. Mystery, Slip-stream, Steapmpunk, SF, and fiction. No poetry; no romance. Non-fiction slightly possible, but it's gotta be different.
Size: Tiny. One man. Shallow pockets (actually, no pockets at all). Both e-books and paper.
Contact: ian@atomicfez.com
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You probably haven’t heard of Atomic Fez Publishing before because it’s fairly new. Atomic Fez is a Vancouver, BC-based Canadian publisher founded in May 2009. The publishing company formally launched in March 2010 at the World Horror Convention in Brighton, UK. Given the long lead time required to produce books, Atomic Fez is still a relatively new publisher. We published five books in 2010 and plan to release another four in 2011.
Atomic Fez publishes ‘eclectic, genre-busting fiction. This sounds neat, but confuses some people. To explain, the five titles published in 2010 span a variety of genres and combine elements of several in each book. For example, The Terror and the Tortoiseshell, John Travis’s first in the Benji Spriteman Series, combines elements of fantasy, mystery, noir, and science fiction as the animal kingdom moves from four legs to two and banishes the human population. Benji Spriteman is a sentient, six-foot tall, suit-wearing tortoiseshell cat. And one heck of a detective too. Thus, you get four styles of fiction in one book, plus a cat.
Why this seemingly un-focused approach to things? Because it’s more interesting. Not all books are ‘serious works of ahrt.’ When I started Atomic Fez, I wanted to bring some of the fun back into the publishing business and produce books whose primary purpose was to entertain rather than instruct.
Take, for example, the logo: the absurdity of the fez as a piece of headgear in combination with the hope of the dawning of the 'atomic age’ – that kind of retro glam – made me laugh. Books should surprise, entertain, and occasionally elevate your mood. Why not, for instance, cross Mad Men with The Jetsons and see what happens?
Atomic Fez believes eBooks should never cost more than the average price of a mass-market paperback, and has always released its titles in both printed and eBook format simultaneously. This year we're going to experiment with the publishing schedule a bit.
Two of our five 2010 titles were published in jacket-less hardcover format; the other three as trade paperbacks. We're going to do our best this year to reduce production costs so we can also reduce the cost to the consumer. We're also going to consider more trade paperback publishing and – potentially – publishing of eBooks prior to printed versions.
Late in 2010 we reduced our eBook pricing by 33%. Most eBook titles are now $6.99, while shorter books like Andrew Hook’s Ponthe Oldenguine are only $4.99. We'd like to achieve similar price reductions for our paper books – while still managing to pay the printer, the authors and ourselves.
Atomic Fez does not believe – regardless of any issues relating to piracy or illegal downloading – that eBook sales 'cannibalize' printed book sales. In fact, eBooks actually allow for simultaneous worldwide distribution and save consumers both time and money on shipping costs.
Follow and interact with me on Twitter using @AtomicFez, ‘like’ the Facebook page at facebook.com/AtomicFezPublishing, and visit the site at AtomicFez.com. Or join our Goodreads group to see interviews with the Atomic Fez authors: http://www.goodreads.com/group/show/40127.Atomic_Fez_Publishing
















10 comments:
I enjoy your authors, esp. Rhys Hughes. Love your quirky, even bizarre taste. Do hope you'll have reopened to submissions in a few months (when I'll have something ready to send you!), but I certainly understand that you're swamped. Keep up the great work!
-Anne
Thanks Anne!
Really, the limitation on submissions has more to do with the economy than anything. Even with limited costs for short-runs and e-books, it's tough to find the resources to get a new title up and available these days.
Thanks again for your support!
Yeah, I can imagine there are many writers out there who'd love to be signed on with Atomic. It's fun and challenging to be involved with something that is different.
So, how did you learn to basically run a publishing house mostly by yourself?
"Trial & Error" seems about the best description. I was involved with another publishing effort prior to Atomic Fez, so that experience lent a fair bit of 'training' to the process. Prior to that I ran my own web-site / information portal for local professional theatre news, and that provided a great deal of editing skill. Other than those, the main influence is probably due to my parents being teachers and them shoving books at me constantly.
Pretty cool! I'm always amazed when people can learn to do such big, awesome things by way of trial and error. Shows much dedication and skill.
Either that, or it demonstrates a single-minded determination to ignore the reality that you've not got a single clue about what you're doing.
Either way, thank you
If that's the case, you can hopefully learn from the errors or learn that the field is just not for you. I'm forever an optimist. >.<
Really, it ends up that you just keep plugging away and--as you say--learn from your mistakes and try to avoid making new ones as often as possible. Listening to others as they recount their own mistakes is also good. You don't get anywhere if you don't try, after all.
This was really interesting! It's a lot of fun to see how different publishers deal with the industry and distribution and pricing. Thanks for sharing this!
I always go out of my way to make sure I have at least one publisher guest appear every two months. I love learning about and comparing all the different, unique ways of managing a house.
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